裸島 Hadaka jima
裸島 Hadaka jima
経ヶ島 Kyouga shima
経ヶ島 Kyouga shima
材木島 Zaimoku jima
材木島 Zaimoku jima
五大堂 Godaido
五大堂 Godaido
千貫島 Sengan jima
千貫島 Sengan jima
地蔵島 Jizo jima
地蔵島 Jizo jima
布袋島 Hotei jima
布袋島 Hotei jima
鎧島 Abumi jima
鎧島 Abumi jima
やすみ島 Yasumi jima
やすみ島 Yasumi jima
仁王島 Niou jima
仁王島 Niou jima
蓬莱島 Hourai jima
蓬莱島 Hourai jima
双子島 Futago jima
双子島 Futago jima
小町島 Komachi jima
小町島 Komachi jima
兜島 Kabuto jima
兜島 Kabuto jima
桂島 Katsura jima
桂島 Katsura jima
馬放島 Mahanasi jima
馬放島 Mahanasi jima
New Matsushima (2022)
drawing on aluminum (aluminum plate, water-based pigment marker, oil-based lacquer), aluminum frame
55×73×2.7㎝

New Matsushima is the name of the cruise ship company on which I boarded during my visit to Matsushima, Miyagi.
The first time I saw Matsushima on the boat, the edges of the island had been eroded by the waves and sea breezes over the years, and it looked less vivid than the 100-years-old photo postcards I had seen before my visit.
While imagining the sharp landscape that Matsuo Basho saw more than 330years ago, I drew the future pastoral landscape on a permanent aluminum plate, referring to the 100-year-old postcards and the plate painting of old Imari that shows the perfection of the seaside landscape, without denying such changes in the landscape over time.